Between the torch and the glasslives a moment of pure truth.That moment is every piece I make.
I've been working with glass for six years now.
What started as curiosity became something I can't explain and don't want to. Every session at the torch pulls me out of the ordinary and drops me somewhere between dream and creation.
Before glass, I spent years in television and music producing, directing, building worlds for others to live in. I loved it. But the flame called louder.
Borosilicate glass is alive in a way few materials are. It moves, it breathes, it surprises you. You can't fake it. You can't rush it. You show up, you listen, and if you're lucky something unique comes through.
I also work in digital marketing, and I understand the world of images and stories. But nothing I've ever made on a screen feels the way a finished glass piece feels in my hands.
Each one is a journey I didn't plan.Each flame, a conversation with something bigger than technique.Welcome to my world.
Every material I choose has a reason.
Borosilicate glass the same glass used in scientific laboratories is my canvas. Dense, luminous, alive under the flame. It holds color in a way no other material does. Each rod I melt has been chosen for what it might become.
Sterling silver and gold become the setting never the star. They hold the glass, frame it, elevate it. Metal and fire, ancient partners.
The Indian ornaments I work with carry their own history, their own energy. When they meet the glass, something unexpected happens. Two worlds, one piece.
And everything every clasp, every setting, every chain is hypoallergenic.Because beauty should never hurt.
